What will happen to the Mini that time forgot?

IT'S like Indiana Jones meets The Italian Job. This story is so intruiging, I thought it needed bringing out of the classic car forums and onto these pages.

It begins deep underground, in a network of tunnels beneath one of Britain's biggest car factories, the former British Leyland plant at Longbridge. For years, a rather battered old Mini has sat down there, lonely and unloved, gathering dust for decades. It's been stripped of almost all of its useful bits and the roof's been bent in like a banana, but this Clubman version, not a million miles from the Seventies Minis you see above, is quite unlike any other. The Mini which nobody wanted is the last ever Mini to leave the factory.

How did it end up down there? Well, the story goes that when this Mini was being made, it fell off the production line at the factory, and rather than repair it the Longbridge workers ran it around the factory for a few miles and took whatever bits were useful off it to use on other cars.

When it was no longer deemed useful it was bundled off into the tunnel, which had been built in the 1940s to protect the factory workers - who were busy making ammunition rather than cars for a change - from the Luftwaffe. The Clubman that never was stayed in the tunnel right through the bitterest days of British Leyland, right through Austin Rover's tenure, remained unloved when BMW took over the reins and even remained ignored when MG Rover finally went bust in 2005. It's only now that a Mini enthusiast has had the tenacity to fish it out, and it's caused a bit of a fuore in the process.

Should the crumpled old heap, which had its roof stoved in after an unfortunate encounter with a shipping container, stay in that tunnel for posterity's sake? Should it be moved to a museum somewhere? Or should the car's saviour restore the old girl back to her former glory, even though for all sorts of boring legal reasons it can't actually be used on the road?

For what it's worth, I reckon it should come out, but I can't see many museums wanting to take on an exhibit that can't even be moved on its own wheels.

It'd take many of thousands of pounds to mend it properly and keep it original, but if someone's up for the exhaustion and expense then they've got my backing. It'd be great to see one last Mini - the Mini that time forgot - rev up its little A-Series engine in anger.

It's too good to be left abandoned in a tunnel forever.

Is stretching an E-Type altering an icon?

A CLASSIC car specialist in Shropshire is about to do what some enthusiasts would call the unthinkable by stretching a Jaguar E-Type.

Classic Motor Cars Limited, based in Bridgnorth, said it is about to start work on a project which effectively involves making a 1968 4.2 litre Series 1 Roadster, but while it involves altering one of the best known sports car shapes of all time the company say they are keen to keep the preserve the E-Type's essence while making it roomier and easier to live with.

Nick Goldthorp, the company's managing director, said: "This is something that we have never been done before. Our client wanted the interior leg room of a Series 3 V12 E-Type but the aesthetics of a Series 1 car.

"We are going to add four and a half inches to the floor pan, which will give the leg room of the V12 plus an additional one inch if required. The V12 was actually nine inches longer than a Series I but a lot of the additional room was behind the seats as storage and is not required on our project. By adding four and a half inches to the length of the car we will be able to retain the overall look of the Series 1 and also turn this E-Type into a unique car."

The project involves not only stretching the left-hand-drive car by four and a half inches, but also fitting the Sixties sports car with modern technology, including air conditioning, power steering, upgraded brakes, a new five speed gearbox, better suspension and handling upgrades among other additions.

Paul Branstad, the American client who owns the car, said: "The stretched E-Type I have conceived sits between the Series 1 and the subsequent vehicles produced after the merger and formation of British Leyland, when the design of the cars underwent several transformations as a consequence of cuts in production costs and the need for more space that resulted in the Series II 2+2 and Series III V12."

While classic car purists would argue against altering aerodynamicist Malcolm Sayer's original vision for the E-Type's shape, the sketch included here, Life On Cars reckons, is sympathetic to the Jag's original styling, and could actually provide the tempting prospect of the earlier E-Types's looks with the creature comforts of the later V12 cars.

The stretched E-Type is expected to be completed in September next year.

Just how far do you go with your classic car?

THE MAN with the exploding E-Type knew how to make an entrance.

Not only had he turned up to Bretherton in a V12 convertible sports car, but thanks to a mechanical malady it came shrouded in a dramatic cloud of steam too. It was luckily, just a blown hose and nothing more major than that, but the spectacular arrival did at least highlight the stunning old Jag, which didn't look a day older than when it left the showroom. A big cat, obviously, which had been properly restored before being allowed to go on the prowl at last weekend's Bank Hall Classic Car Show.

It does, however, bring up the age-old question familiar to most fans of automotive antiques; just how far do you go and how much cash should you splash? Classics, you see, exist in three basic states; unloved wrecks which have weathered badly over a course of decades and are badly in need of a bit of TLC, everyday smokers which have a bit of wear ‘n' tear because they get used regularly by their owners, and the immaculate, big money restorations. The concours winners, basically.

My old MG would never win at concours, which is sort of like an automotive Crufts anyway. You do occasionally get the odd snob pointing out the bits of paintwork where a spot of rust is starting to show through, but that's missing the point. If you want to buy a car that looks pretty and does nothing else then get an Audi TT; I'd much rather be out on the country lanes in my old car, en-route to somewhere nice, using it as its creators intended.

I could lavish thousands on the old girl to bring her up to showroom standard but then it'd be no more useful to me than the watch my late granddad left me. It's a beautiful bit of chronography and one of my most prized possessions, but I'd never actually take it out anywhere because I'd never forgive myself if it got scratched.

I thoroughly admire the work, the love and the care that goes into bringing a 40-year-old car into as-new nick, but I just know I'd turn my own motor into a granddad's watch if I went down the same route. It'd look a million dollars, but it'd no longer be a car I could trust leaving in a supermarket car park, a place where scratches are but a misplaced parallel park away from the pristine bodywork.

Besides; why spend thousands on a classic car when you spend a fraction of that on making a memorable entrance? Man with the exploding E-Type, you've laid down the gauntlet...

Southport mechanics restore couple's classic Morris Minor wedding car

Pictures by Martyn Snape, Champion Newspapers

A COUPLE who used their beloved classic car as their wedding transport have just had it lovingly restored to its former glory by a West Lancashire firm.

John and Jean Fagan, of Snape Green in Scarisbrick, told The Champion this week they were delighted that Molly, their 1963 Morris Minor Convertible, had been restored by mechanics working at the Southport branch of West Lancashire car repair specialists Karl Vella.

The car holds a special significance for the couple because John originally bought it for Jean in 2008 as a wedding present, and the couple used it as their wedding car at a ceremony at Briars Hall in Lathom.

Jean told Life On Cars: "She made an excellent wedding car - the little car has given us so much pleasure and happiness. Wherever we go in her, people wave and smile and want to know her story.

"Molly was in good condition when we bought her but more recently we noticed a bit of rust and some of her paint was starting to crack. We made the decision to have her paintwork completely renewed, and some of the metalwork has been replaced. She looks absolutely magnificent now thanks to the work of John, Peter, Darren and Kieran at Karl Vella in Southport."

Jean, a lifelong Minor enthusiast, added that although she didn't drive at the time she learned and passed her test just so that she could use Molly as her own car after the wedding. The couple brought the car into the company's site on Cemetery Road last December, and during quieter periods at the garage the car has been brought back to its former glory using new paintwork, improvements to the metalwork and a restoration of the interior.

Karl Vella MBE, Managing Director of the Karl Vella Group, said: "I'm delighted John and Jean are happy with our work. The lads have done a cracking job - I was really impressed at how they pulled out all the stops to ensure the car was restored to its former glory."

 Do you have a story you'd like to share with Life On Cars? Get in touch by sending an email to david.simister@hotmail.co.uk or leave a comment below...

Ten years older

IT'S a makeover challenge even Gok Wan couldn't master. How do you take an already evocative classic and make it mouthwateringly inviting?

What you see above is the interior of my MGB GT, which despite being in the middle of a restoration and in need of a good hoover and clean is still an appealing place to be, like the carriage of a steam-hauled train on a heritage railway. You just don't get touches like the fonts on the chrome-ringed dials or the Mota-Lita steering wheel on a modern motor, which is part of the reason why I love sitting in it.

But give the interior over to an automotive makeover expert and it'll end looking like the one you see below, which a mechanic mate mentioned after spotting it:



Believe it or not, these are both cabins of the same model, but the owner couldn't have made it more different if he'd tried. Every single panel and patch of trim is interchangeable with the interior of my own, humbler car, but unscrew the MG octagon badge from the steering wheel and you'd swear you were in a Jag or a Bentley. It's an inviting, sumptuous place to be, and all the owner's done is replace the carpets, dash panels and trimmings with something that wouldn't look out of place in a Riva Aquarama.

It actually transforms an already stylish, unapologetically Seventies cabin into something straight out of the Sixties, and I love it. The finished result is as beautiful as a blank cheque, but I wouldn't do it simply because my wallet won't stretch far enough.

Would you?